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Group Circle Meditation: Facilitating in a Domed Room … by Alice B. Clagett

Published on 25 June 2016
The event described below took place on 10 June 2016, about one week prior to Summer Solstice.

  • Dome 1: Seating Chart for the Domed Circle Meditation
  • Dome 2: On Establishing a Facilitation Vector
  • On Avoiding Lower Triangle Hookups During Group Meditation
  • Dome 4. Formation of a Collective Unconscious Astral Cord
  • Dome 5: Facilitator Shifts to Peripheral Vector
  • Dome 6: Clockwise Spiral Energy Flow Established
  • An Analogy of Peripheral Vector Spinning to the Childhood Game of Sticks and Hoops

Dear Ones,

Here are some visuals showing my recent experience with facilitating a group circle meditation in a domed room. The intention is to facilitate the influx of Incoming Light, so that the Unconscious Thought Cloud of the world may be cleared through Divine grace.

Domed rooms are a little tricky, as they can increase the clockwise circular flow of energy, creating a whirlwind effect. Domes also can consolidate the group energy in a dome shaped configuration. However, the visual effect of the dome can restrict the height of the group energy to the height of the dome. Group meditations held outdoors are less height-restrictive, but the energy of the outdoor group is less condensed and also, not packed with spiral energy.

DOME 1: SEATING CHART FOR THE DOMED CIRCLE MEDITATION. Here’s a diagram of the seating in the domed circle meditation I attended. The big dark circle represents the outer edge of the seating area. The seating area was in the center of the domed structure, the floor of which was twice as wide as the seating area.

dome-1

Image: “DOME 1: SEATING CHART FOR THE DOMED CIRCLE MEDITATION,” by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 1: SEATING CHART FOR THE DOMED CIRCLE MEDITATION,” by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it. 

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.

DOME 2: ON ESTABLISHING A FACILITATION VECTOR. When facilitating a group circle meditation in a domed structure, I never sit opposite anyone. An empty chair across the circle from me is fine. In the case of this event, though, the best seat I could find was across from the meditation leader and his wife. I moved my chair as far as possible to the left so that my midline, my hara line (1), was opposite the space between the two of them.  For the alignment of the vector, see the arrow in the diagram below:

dome-2

Image: “DOME 2: ON ESTABLISHING A FACILITATION VECTOR,” by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. There is an arrow from the green circle to a point between the pink and bright yellow circles. –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 2: ON ESTABLISHING A FACILITATION VECTOR,” by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it. 

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.
  • There is an arrow from the green circle to a point between the pink and bright yellow circles.

ON AVOIDING LOWER TRIANGLE HOOKUPS DURING GROUP MEDITATION

My purpose in so sitting was to avoid a lower triangle hookup between me and another member of the circle. Lower triangle hookups occur when I sit directly facing someone else, unless they have a strong sense of their own EMF field.

To get a strong sense of one’s own EMF field, one must align one’s awareness with God rather than with the phenomenal world (2); in this way one begins to see the shallowness of the causal view of reality. Thus one escapes from the chains of the Unconscious Thought Cloud of the World (called by some the Collective Unconscious), which flow through the lower triangle of every human being, and causes astral bonding during group meditations.

Formation of unconscious astral bonds detracts from the buildup of God-awareness in a meditator, as it distorts and confounds the energy of the personal EMF. Thus, experienced meditators avoid these bonds.

DOME 3: CENTRAL KARMIC KNOT. Immediately as the meditation started, the energy of the meditation leader (bright yellow circle next to the pink circle) set the tenor and the rhythm. Very soon, there was a ramping up of negative energies of the Unconscious Thought Cloud of the World, which I experienced as clair hearing regarding what seemed like societal expectations regarding suppression of the sex drive and the drive to aggression.

It appeared to me that the lower triangle energies of the meditators were meeting in the center of the circle and forming a writhing karmic knot; the energy configuration, which looked like this (3):

dome-3

Image: “DOME 3: CENTRAL KARMIC KNOT,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. In the center of the big circle is an image of a celtic knot from Pixabay, public domain. There are arrows pointing from the occupied seats to the celtic knot in the center of the circle. –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 3: CENTRAL KARMIC KNOT,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it. 

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.
  • In the center of the big circle is an image of a celtic knot from Pixabay, public domain.
  • There are arrows pointing from the occupied seats to the celtic knot in the center of the circle.

DOME 4. FORMATION OF A COLLECTIVE UNCONSCIOUS ASTRAL CORD. Then the energy of the group members’ Lower Triangles … which had been expressing as the writhing karmic knot in the center of the circle … was flooded with sexual energy from the lower triangle of the young, good looking man (dark orange circle, next to light orange circle).

Because he was sitting directly opposite a woman, and his hara line was directly aligned with hers, his lower triangle energy channeled the sexual energy of all the meditators into her lower triangle. The resultant collective unconscious astral bond that formed looked like this:

dome-4

Image: “DOME 4. FORMATION OF A COLLECTIVE UNCONSCIOUS ASTRAL CORD,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.   Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. In the center of the big circle is an image of a celtic knot from Pixabay, public domain. There are arrows pointing from most of the occupied seats to the celtic knot in the center of the circle. From the red, male circle at 6 o’clock is a thick black arrow pointing to a lone female circle across the room. On the black arrow is the red label ‘sexual vibe’.  –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 4. FORMATION OF A COLLECTIVE UNCONSCIOUS ASTRAL CORD,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.
  • In the center of the big circle is an image of a celtic knot from Pixabay, public domain.
  • There are arrows pointing from most of the occupied seats to the celtic knot in the center of the circle.
  • From the red, male circle at 6 o’clock is a thick black arrow pointing to a lone female circle across the room. On the black arrow is the red label ‘sexual vibe’.

DOME 5. FACILITATOR SHIFTS TO PERIPHERAL VECTOR. Seeing that the curr ent orientation of my hara line was insufficient to start the spiral energy (vortical energy) that could sweep away this collective lower triangle astral bond, I shifted my sitting position so that my knees faced an empty chair to my left.

The arrow next to the green circle below shows the direction in which my knees were pointing. See how that arrow is parallel to the big arrow in the center of the circle? Thus the energy of my vector (the small arrow next to the green circle) flowed in the same direction as that of the meditator in the dark orange chair.

  • For this reason, I wasn’t engaged in a struggle with the energy flow of the group.
  • Because my vector (my arrow) was more on the periphery of the seating area, I hoped to ‘push’ the group energy in the direction of the typical vortical clockwise spiral that aids the clearing of the Unconscious Thought Cloud of the World as the Incoming Light slowly ramps up and offers humankind the opportunity to Awaken.
dome-5

Image: “DOME 5. FACILITATOR SHIFTS TO PERIPHERAL VECTOR,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.   Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. In the center of the big circle is an image of a celtic knot from Pixabay, public domain. There are arrows pointing from most of the occupied seats to the celtic knot in the center of the circle. From the red, male circle at 6 o’clock is a thick black arrow pointing to a lone female circle across the room. On the black arrow is the red label ‘sexual vibe’. Facilitator in green circle shifts gaze to left, toward an empty chair.  –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 5. FACILITATOR SHIFTS TO PERIPHERAL VECTOR,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.
  • In the center of the big circle is an image of a celtic knot from Pixabay, public domain.
  • There are arrows pointing from most of the occupied seats to the celtic knot in the center of the circle.
  • From the red, male circle at 6 o’clock is a thick black arrow pointing to a lone female circle across the room. On the black arrow is the red label ‘sexual vibe’.
  • Facilitator in green circle shifts gaze to left, toward an empty chair.

DOME 6. CLOCKWISE SPIRAL ENERGY FLOW ESTABLISHED. Luckily, the hoped-for clockwise spiral energy began to take place, the astral cord dissolved, the karmic knot in the center of the meditation area disbursed, and the energy of the group became more synchronous, more golden, and more uplifted or conscious. However, because of the unruly nature of the astral matter that evening (and in fact, all that week), my EMF, and perhaps those of the other meditators, remained somewhat unstable for the duration of the evening. (4)

dome-6

Image: “DOME 6. CLOCKWISE SPIRAL ENERGY FLOW ESTABLISHED,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.   Small circles = chairs, facing the center of the circle. Small circles that are empty represent empty chairs. Small circles with the female sign had women sitting in them. Small circles with the male sign had men sitting in them. The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field. The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators. The green circle was where I sat as facilitator. Yellow light suffuses the circle. A clockwise, red spiral fills the circle; this spiral is “Three 360 degree turns of a one-arm Archimedian spiral. The spiral is drawn as a series of minimum-error Bézier segments, one for each 45° section of the spiral (24 segments in all),” by AdiJapan (talk) from Wikipedia Commons, CC BY-SA 2.5  –from “Group Circle Meditation: Facilitating in a Domed Room,” by Alice B. Clagett, “I Am of the Stars,”  https://iamofthestars.com/

Image: “DOME 6. CLOCKWISE SPIRAL ENERGY FLOW ESTABLISHED,” adapted and compiled by Alice B. Clagett, 10 June 2016, CC BY-SA 4.0. There is a big circle, with 16 small circles just inside it.  

  • Small circles = chairs, facing the center of the circle.
  • Small circles that are empty represent empty chairs.
  • Small circles with the female sign had women sitting in them.
  • Small circles with the male sign had men sitting in them.
  • The bright yellow circle was the seat of the meditation leader; beside him, in the pink circle, sat his wife. Around them was a golden tantric force field.
  • The dark orange circle was the seat of a good looking young man with a spiritual demeanor; beside him, in the light orange circle, sat the equally good looking young woman who was with him. Around them was a golden tantric force field. The couple was maybe half the age of the other meditators.
  • The green circle was where I sat as facilitator.
  • Yellow light suffuses the circle.
  • A clockwise, red spiral fills the circle; this spiral is “Three 360 degree turns of a one-arm Archimedian spiral. The spiral is drawn as a series of minimum-error Bézier segments, one for each 45° section of the spiral (24 segments in all),” by AdiJapan (talk) from Wikipedia Commons, CC BY-SA 2.5

AN ANALOGY OF PERIPHERAL VECTOR SPINNING TO THE CHILDHOOD GAME OF STICKS AND HOOPS. This sitting sideways, and facing in the direction of clockwise energy flow for a circle meditation is like the old-fashioned childhood game of sticks and hoops (“rolling hoops”). The children used to strike a hoop with a sideways blow of the stick, causing it to rotate. Because the hoop wasn’t fixed in place, it would move forward, and they would run to keep up.

Boys_playing_hoops

Image: “Boys playing hoops in an 1842 woodcut,” by Merry’s Museum, 1842. https://archive.org/stream/merrysmuseum43roberich#page/n196/mode/1up … from Wikimedia Commons, public domain

Image: “Boys playing hoops in an 1842 woodcut,” by Merry’s Museum, 1842. https://archive.org/stream/merrysmuseum43roberich#page/n196/mode/1up … from Wikimedia Commons, public domain (3)

Of course, during a domed circle meditation, the ‘hoop’ is the astral air inside the dome, the center of which is the center of the dome. This air has nowhere to go but round and round the fixed center of the meditation room, as the ‘striking stick’ of the facilitator’s vector (the arrow in the illustration ‘Dome 5’) adds spin to the astral air.

In love, light and joy,
I Am of the Stars

Alice B. Clagett

…………………………………………………….
FOR MORE INFORMATION

See also LInk: “Dynamics of Group Meditation,” by Alice B. Clagett, http://wp.me/p2Rkym-57K ..

………………………………………….
FOOTNOTES

(1) Here is a picture of a hara line:

hara

Image: “Hara Line, aka pranic column, central vertical power current, and kundalini,” adapted by Alice B. Clagett, CC BY-SA 4.0. Silhouette of a man bisected by a vertical, golden line of light that continues above and below.  The silhouette is an adaptation of “Standing man, thin, facing forward,” by Madeline Price Ball, Wikipedia Commons, CC0 1.0 universal public domain dedication.

Image: “Hara Line, aka pranic column, central vertical power current, and kundalini,” adapted by Alice B. Clagett, CC BY-SA 4.0. Silhouette of a man bisected by a vertical, golden line of light that continues above and below him. The silhouette is an adaptation of “Standing man, thin, facing forward,” by Madeleine Price Ball , Wikipedia Commons, CC0 1.0 universal public domain dedication. 

(2) See …

Link: “The Great Invocation,” by Djwhal Khul, through Alice Bailey, in Theosophy Wiki … https://theosophy.wiki/en/Great_Invocation ..

(3) See also this video, where some children are just learning to play with sticks and hoops …

Video: “Playing stick and hoop July 2012,” by Christina Joslin, 7 December 2012, https://www.youtube.com/watch?v=jeblC2sNZeo ..

 


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Except where otherwise noted, 2U3D by Alice B. Clagett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


 

Meditation to Integrate the Emotional Body with the Mental Body … by Alice B. Clagett

Published on 9 May 2015; revised

. . . . .

MEDITATION TO INTEGRATE THE EMOTIONAL BODY WITH THE MENTAL BODY
by Alice B. Clagett, 9 May 2015

Sit crosslegged on the floor; or else in a straight-backed chair, with feet firmly placed on the floor. Visualize the energy of your heart. Feel your heartbeat.

Next, visualize the energy of your heart surging upwards into your brain with every heartbeat. Feel the pulsing rhythm of the heart’s energy, surging up into your head, and surging back down again, with the heartbeat.

. . . . .

Alice B. Clagett


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Except where otherwise noted, 2U3D by Alice B. Clagett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


 

Sightseeing: Santa Monica … by Alice B. Clagett

Published on 14 April 2016

Dear Ones,

Some stills from a park on the cliffs overlooking the Santa Monica Bay in California. The beautiful instrumental music is “Cylinder Three” from the album “Cylinders” by Chris Zabriskie, CC BY 4.0 … https://creativecommons.org/licenses/by/4.0/  ..

 


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Except where otherwise noted, 2U3D by Alice B. Clagett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


 

Ojai Sunset and “Prelude No. 1” by Chris Zabriskie … video by Alice B. Clagett

Filmed on 12 November 2017

Dear Ones,

Here’s a video filmed in Ojai. The topic is the sunset color orange. The beautiful instrumental music is “Prelude No. 1” from the album “Preludes” by Chris Zabriskie, CC BY 4.0 … https://creativecommons.org/licenses/by/4.0/  ..

 


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Except where otherwise noted, 2U3D by Alice B. Clagett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License


 

Colorado Scenery and the Music of Chris Zabriskie … compiled by Alice B. Clagett

Filmed on 19 May 2013

Dear Ones,

Here are scenes from Lemon Reservoir in Colorado. There’s a Summary after the video. The sprightly instrumental music is “Prelude No. 20” from the album “Preludes” by Chris Zabriskie, CC BY 4.0 …

VIDEO BY ALICE

SUMMARY OF THE VIDEO

Well, Dear Ones, This is Lemon Reservoir, and I thought I’d give you a look … Looks right nice, and there’s hardly anybody around but me. The nature spirits are singing so high and sweet, you wouldn’t believe it. Have a nice day!

[then follow scenes of trees, a wild mountain stream called Miller Creek, rocks, and  “Prelude No. 20” by Chris Zabriskie, CC BY 4.0 … https://creativecommons.org/licenses/by/4.0/  .. ]

In love, light and joy,
I Am of the Stars

…………………………..
CREDITS

“Colorado Scenery and the Music of Chris Zabriskie
“Prelude No. 20” by Chris Zabriskie, CC BY 4.0
Filmed and Compiled by Alice B. Clagett, CC BY-SA 4.0

 


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The Music of Chris Zabriskie and Scenes from Exposition Park Rose Garden … compiled by Alice B. Clagett

Filmed on 12 April 2018

Dear Ones,

I went to the King Tut Exhibition at the California Science Center in downtown Los Angeles several weeks a go, and while there I toured Exposition Park Rose Garden. Here I’ve set a few short video clips, and photos of the roses, to Chris Zabriskie’s laid-back instrumental piece “We Were Never Meant to Live Here, CC BY 4.0. As there are no words, there is no Summary after the video …

VIDEO BY ALICE

 


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Art Photo Series: Point Dume Abstracts, Triptych Collection … by Alice B. Clagett

Published on 4 May 2018

Dear Ones,

This is an art photography series called “Point Dume Abstracts, Triptych Collection.” The date for all the photos is 18 October 2017, and they’re all 1280 x 800 pixels.  I’ve put dotted lines in so that it will be easy to see the sets of Triptychs.

There are more Collections for this Series in my other blogs. I expect to be putting up other series from time to time, as Creative Commons …

These Triptychs ought to be viewed vertically, like this:
A
B
C

……………………………………………………………………………………………………………..
ART PHOTO SERIES: POINT DUME ABSTRACTS, TRIPTYCH COLLECTION

Point Dume Abstracts: Triptych Collection 1A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 1B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 1C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 2A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 2B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 2C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 3A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 3B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 3C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 4A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 4B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 4C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 5A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 5B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 5C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 6A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 6B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 6C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

……….

Point Dume Abstracts: Triptych Collection 7A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 7B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 7C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 8A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 8B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 8C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 9A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 9B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 9C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 10A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 10B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 10C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 11A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 11B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 11C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 12A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 12B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 12C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 13A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 13B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 13C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 14A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 14B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 14C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 15A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 15B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 15C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 16A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 16B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 16C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 17A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 17B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 17C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 18A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 18B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 18C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 19A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 19B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 19C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

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Point Dume Abstracts: Triptych Collection 20A, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 20B, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

Point Dume Abstracts: Triptych Collection 20C, by Alice B. Clagett, 18 October 2017, CC BY-SA 4.0

 


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Except where otherwise noted, 2U3D by Alice B. Clagett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License